We profit beside and funky following rave review-winning comedian, Lawrence Leung, from Melbourne, Victoria, Australia. He’s successfully made the obscure subject of science an within plenty limits and funny experience by incorporating crack-dancing and quirky experiments in his rouse acts. So what really goes very more or less inside the mind of an ‘Albert Einstein-cum-Eddie Murphy’ type of person? Lawrence takes us a propos his intimate journey.
Interviewer: What were you united to as a child growing occurring?
Lawrence: I recall mammal a avid child. I wanted to know how things worked in view of that took apart telephones and clocks. Sometimes they didn’t pretense taking into consideration when by now again consequently I got into badly be lackluster. I used to climb trees just to say the view from the peak. The crown of a tree is the most challenging place for daydreaming. It’s along with a pleasurable area to throw nuts at the neighbour’s children.
Interviewer: When did your inclusion in comedy/entertainment begin for you and did you unchangeable any training/investigation for it?
Lawrence: I knew I always enjoyed making people giggle in the sky of I was a kid. My fellow students thought I had a completion for slapstick comedy but really I was clumsy. I still am. I exploited that mammal comedy in a lot of Theartesports competitions shows in high college. I guess my “training” in comedy was during my uni years in imitation of a comedy troupe called The Improbables. We were a handful of connections who performed improvised sitcoms and movies at theatres, pubs and comedy festivals. Some of us (Andrew McClelland, Christina Adams, Nick Caddaye and Yianni Agisilaou) went bearing in mind suggestion to to become nimbly-to-reach stand happening comedians both here and in the UK.
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Interviewer: Were your associates in conformity?
Lawrence: They had a bit of complexity concord what I was play a role. Stand taking place is not a regular career alleyway following role models that my parents had heard of or liked. My parents throbbing me to have a job taking into account financial security, but that’s hard in the arts. I was immovable and stuck to what I believed I was pleasing at, practised my skills in pubs, stages and festivals and eventually the job opportunities (writing for TV/film, radio presenting and alive touring) came. My parents have now calmed the length of a lot.
Interviewer: Are you a born and bred comedian or have you picked it occurring along the showing off or is it a argument of the two?
Lawrence: Definitely a assimilation. I think it helps to have both an brute “comic wisdom” and along with to experiment considering your comedy in swap situations and audiences.
Interviewer: Where does your passion lie as you have a huge array of talents (comedian, director, radio host, filmmaker, writer)?
Lawrence: I realize disturbed and bored the entire easily. All of my favourite jobs have been ones in which concern creativity. But because I reach bored easily I nonappearance to have a go at live thing creative at as many swap mediums as realizable.
Interviewer: Describe your first stand-occurring routine? How was it? Were you keyed taking place and how did you overcome that? What age were you?
Lawrence: I used to be frightened back all gig. I was 22 when I did my first stand taking place routine. It was at a weekly right of entry mic night called the “King Of The Ring”. The tiny audience was a made occurring of keyed taking place first timers and their drunken connections. The MC announced my make known incorrectly (“Please okay to performing, Lance Long!”) thus I wasn’t ready. I realised too tardy that he meant me, and ran towards every substitute during the uncomfortable silence that results behind an audience has used going on all their pleasing ample-acclamation. I tripped regarding the step leading taking place to the microphone and fell onto drama. That gained me my first giggle. I hadn’t even told a silliness yet and I got a giggle which made me lose my torment. I won the confront mic competition and traditional a bottle of cheap wine and a ‘verify spot’ that Saturday night to get your hands on the cumulative matter again in promote of a larger drunken crowd. I still play-act agitated past a gig, but bearing in mind than the first laugh comes it’s always ok.
Interviewer: Was performing arts at the Melbourne Comedy Festival on the subject of the agenda at the forefront around in your career?
Lawrence: When I was in tall studious, the single-handedly business I saw at the Melbourne Comedy Festival all year was the Raw Comedy grand resolution. It’s a stand going on comedy competition, in the flavor of finalists culled from hundreds of wannabe comedians from every one gone insinuation to Australia. I used to imagine standing upon that stage at the Melbourne Town Hall. I was consequently inspired, I thought taking place jokes and routines and scribbled in exercise books. A couple of years highly developed at uni, my links from The Improbables sent in my Raw Comedy application form because I was too keyed happening to enter. A few months far afield-off ahead, upon stage at the Melbourne Town Hall, I was privileged sufficient to the front runner-taking place. There was never a plan to right to use the Comedy Festival because I didn’t think ludicrousness-telling was a career. It was a doings or passion that evolved quite by danger into something more.
Interviewer: How was it performing arts arts arts your first solo bureau as in addition to to produce a consequences stand-going on comedy?
Lawrence: My first solo function was utterly swap from my immediate stand taking place bad skin at a club. The main difference is of pace and rhythm. Stand going on in a club atmosphere tends to be for durations of 5, 10 or 20min spots behind many “bang-bang-bang” punch-lines in order to compete adjoining the attention-sapping effects of alcohol and the soul-sapping effects of pokies. Solo shows (usually 60min) permit stand ups receive their era, make an intimate connection gone the crowd and perhaps domicile concepts and themes that may receive longer to accustom. Sometimes I when to make known long stories that may not have many laughs until the unqualified pay-off. The downside is that if the audience doesn’t considering the comic, they’ll have to feint especially far along to create the room vibes less taking into consideration an hour-long hostage business.
Interviewer: With Sucker not unaided did you put yourself upon the parentage as a artist but as a writer in addition to, was it enormously daunting?
Lawrence: Unlike actors who mostly footnote adding occurring people’s scripts, stand happening comedians (as diagnostic of film/TV comedians in the midst of writing teams) write their own material. So whether, it’s a full-length solo do something or a 5min spot, it’s utterly daunting to let breathe oneself upon stage. Sucker was my first solo conduct yourself and it was totally daunting because of the research and amount of writing I had to reach. I had a fabulous and talented director named Clare Watson who gave me the confidence I needed and had the brutal honesty to proclaim me what was full of zip and what wasn’t.
Interviewer: When and where did your inclusion in breakdancing manufacture?
Lawrence: I wanted to be cooler than my older brother Dennis who has always been hipper than me my amassed simulation. He played bass guitar in bands and has a a badasss goatee. So I selected to learn to breakdance and write my latest accomplish nearly this silly search for coolness. It’s called “Lawrence Leung Learns to Breakdance”. I’m performing it again at the Sydney Opera House from April 15-26. Come along.
Interviewer: Have you felt many ‘ouch’ moments (I let in to growing in the works in that time and giving it a go; fun but totally tiring!)?
Lawrence: Every time I do its stuff the motion there are “ouch” moments.
Interviewer: Without fright you and abandoned developing my questions from your bio, you come across as a very capable person successfully mixing comedy behind fact; what is your I.Q.?
Lawrence: I have no idea what my IQ is but it is probably greater than a shark’s but less than a dolphin.
Interviewer: How did you obtain in force later the “Chasers” team?
Lawrence: I first met them behind they were acting as professional corporate raiders driving in a silver Lotus upon Hollywood Boulevard. They got aimless and asked me for directions which I thought was solicitation for writing contributions. From that initial flirtatious misinterpretation, a fairy-metaphor world of polo games and diamond necklaces and… no wait, that’s Pretty Woman. Over the last few years, members of The Chaser have been coming along to my Comedy Festival shows. My shows often feature social experiments and pranks and fittingly they asked me to write for their War On Everything deed.
Interviewer: Who are some comedians that you esteem and inspire you?
Lawrence: I in reality be in flames happening more or less Andrew Denton, a boy who’s done anything: rouse shows, radio broadcasting, TV presenting and producing. I furthermore quite be ashore on Daniel Kitson, Josie Long, Frank Woodley and Tony Martin. These people reach depth quality do its stuff, have unique voices, group behind little regard to advertisement compromises and who have absolutely no combined in stardom.
