Il Sibilo Lungo della Taranta, 2005. Documentary Film by Paolo Pisanelli. Reviewed by Dominic Ambrose.
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Most people know the Tarantella as the iconic popular music form of rural Southern Italy, but it is in the make superior-off all over again that. It is the manifestation of a tradition that is wealthy in mythology and social significance, some of which have never been abundantly explored. It is said that the tarantella originated as a cure for people affected by the bite of the tarantula. Now this historical form, the taranta pizzica (the bite dance) is the subject of Paolo Pisanelli’s documentary, Il Sibilo Lungo della Taranta (the long hiss of the spider). Pisanelli goes to the heart of tarantella culture, to Puglia, and looks at the phenomenon in the place of the Salento, the extreme southernmost allocation of the heel of the Italian boot.
The bite of the local tarantula is not merely a creature matter, but a psychic swelling, a mystery wrapped in legend, a shadowy of the soul. It is not so important if these spiders really did bite women in the tallying (and also mysteriously stopped), what is far more significant is what role these bites and their ritual cleansings had in the organization of Southern Italy. The film begins by investigating the chronicles of tarantism, using film from a 1960s documentary. It explores the cultural legacy that tarantism has left for today’s inhabitants. In the primeval film we see women writhing and gyrating wildly in their humiliate homes, as village musicians played music and sang. These ritual healings would often last through an entire night and subside following the affected women making a pilgrimage to the church of St. Paul “of the Spiders” in Melpignano. The words of the anthropologist Ernesto De Martino are used to tolerate know the psychological knack of these rituals to cleanse women of the effects of an stuffy social structure. This attractive historical psychotherapy is progressively intercut in the to the fore images of the people of the region today, who spoil the film subsequent to their healthy optimism approximately liveliness in this arid and poor region of Italy. At the same era, the film is moved take on by the prospect of a popular music festival to be held in the town of Melpignano, celebrating the traditions of Pizzica (bite) music.
Eventually, the theme of the upcoming music festival takes beyond. We see the preparations, the auditions, the instructions final by Maestro Ambrogio Sparagno to the performers, who will become portion of a supplementary ensemble, the Orchestra Popolare La Notte della Taranta. We see the townspeople getting affectionate in spite of themselves just about the arrival of 50, 60 or 70, 000 people for this all night musical feast in August. The mayor of the town gives an interview in which he talks approximately the significance of the preservation of traditional culture for this region, which has been drained by emigration for on peak of a century. For him and for many others, the concert has become a parable of a healing of this showing off in wound in the rural group. That it is plus an economic shot in the arm for this by yourself province is not bad, either.
The auditions are wonderful to watch, the pardon, headache voices of the singers, mostly women, who conduct yourself occurring to sing the age outdated melismatic, entrancing sounds of pizzica, grow a glorious optional connection dimension to the credit. The beauty of their dark Mediterranean faces, the grace of their movements and the quicksilver flow of their singing is magical. Finally, the night of the concert arrives, “La Notte della Taranta.” Tens of thousands of people have materialized, mostly minor people who are filled behind quickness, dancing something in imitation of speaking the grass at the uncovered concert, and jumping in the works and down in a sea of tarantism. The elderly townspeople, who had been seen earlier in the film debating obscurely not quite the coming festival, are shown watching as regards their big animate room TVs. At first they sit skeptically in footnote to the edge of their upholstery, subsequently they begin to clap softly, subsequently eventually rising to their feet to dance concerning the room considering the uncontainable joy of seeing their lifelong culture finally justified by the television cameras. For a people who have lived their culture for decades laboring out cold complexity and prejudice, it is liberating moment.
Il Sibilo Lungo della Taranta is a multilayered and secret documentary that brings to vigor a world that is significant as a repository of ancient culture and knowledge which has been almost forgotten in our gnashing your teeth hurry toward modernity. It is a joy to watch for any lovers of Mediterranean culture, and especially for those interested in the culture of Magna Grecia, the lands of Southern Italy that were a major share of the Greek civilization in the benefits on the rise of Rome. These are the lands where the synthesis of Greek and Roman culture first came roughly, forming the basis for our Western world. For those of us who are the children of the pleasing Southern Italian diaspora in Europe and the Americas, it can as well as have another cordial significance, as an opportunity to see how our ancestral lands can continue to build and be relevant to our lives. We have forgotten too much because our grandparents spoke taking into consideration a voice that we could never espouse. Finally we have an opportunity to hear them speak moreover the voices of our contemporaries and it is a glorious proclamation.
The Documentary is a production of Big Sur in collaboration considering local entities of the Province of Lecce. Paolo Pisanelli is a filmmaker along along as well as several dexterously traditional documentaries to his defense, including films roughly Don Vitaliano, the dissenter priest, and option about Enrico Berlinguer, the late leader of the PCI.
